Showing posts with label plotting. Show all posts
Showing posts with label plotting. Show all posts

Wednesday, June 25, 2014

Stuck in Your Story? Try Roadmapping!



In case you missed it, check out my guest post at Fiction University--Marketing Strategy: The Next Book.

Friends, today we have a guest post by author and editor, Laurisa White Reyes. She's here to share tips about roadmapping. Take it away, Laurisa!

STUCK IN YOUR STORY? TRY ROADMAPPING!
By Laurisa White Reyes
A friend of mine has been working on his novel for years but has yet to complete it. “I just get bogged down,” he told me recently. “I don’t know where the story is going.”
Does this sound familiar?
Too many potential writers have partial manuscripts lying around, and I say potential because an unfinished manuscript is nothing more than a good idea—and unless you’re Nora Roberts or Tom Clancy, all a good idea is good for is collecting dust. It will never sell. 
We all have good ideas. The question is how to turn that brilliant concept for the next bestselling novel into a complete manuscript?
Some writers manage to get their novels down by writing as they go, a process called pantsing (referring to writing by the seat of their pants). But this doesn’t work for everyone. If it did, there would be no such thing as writers’ block and no partial manuscripts cluttering our hard drives.
The other popular method of writing is called plotting or roadmapping—planning a story in detail from beginning to end before the actual process of writing begins. I’ve written novels using both methods, and each has positive and not so positive aspects. However, for writers who have hit a brick wall, plotting might be just the ticket to put you back on track.
KNOW YOUR DESTINATION
Writing is like driving a car. If you were to get behind the wheel without knowing where you want to go, you may very well wander aimlessly around town. You could end up on the same roads you drove down before. Without a destination in mind, you might never leave your driveway at all. 
Most of us, however, know before we ever get in the car where we plan to go. We look up the address and get directions. We may print a map, or even check the traffic before we head out. Without proper planning, our journey would waste time and cause frustration.
Writing a novel is no different. Every story is a journey with a specific destination. Writers can avoid common obstacles such as writers’ block and meandering storylines by knowing their destination and planning the route before they start writing.  I call this planning process ROAD MAPPING.
ROADMAPPING
Road Mapping requires patience on the part of the writer. Like the traveler who wouldn’t just jump in his car and take off without knowing where he’s going, so the writer ought not to rush into writing before she’s good and ready. There are four simple steps to Road Mapping. They are: brainstorm, outline, summarize, and chapter breakdown.
Brainstorm
When I get a good idea for a novel, I never rush over to the computer and start writing. I may jot down a sentence or two so that I will remember it later, but after that, I let the idea mull around in my brain for awhile. I spend as much time as I need to develop the characters and plot details, often writing my thoughts on sticky notes. I like sticky notes because I can move them around at will, organizing all those seemingly random ideas into a linear storyline across my bedroom wall. This is the time to work out the entire story from beginning to end. Knowing how the story will end is vital. Only once I am certain of my destination will I move on to step number two.
Outline
I earned my degree in English eons ago, and I often joke that my diploma has done nothing for me but line the bottom of my hope chest. However, I did glean one very useful skill from all those years of study. I know how to write an outline. In high school and college, I had to write outlines for countless essays. (You probably did, too.) Later, as a newspaper and magazine columnist, I wrote outlines for the articles I published. An outline is perhaps the easiest way to visualize an entire novel from start to finish on a single piece of paper. Just as with any 5 paragraph essay, I break the story down into 5 sections: the hook (how my story begins), 3 plot points (these are the three biggest moments of conflict in a story—much like you’d find in a movie screenplay), and the conclusion (how the story ends—the destination).
Synopsis
Once my outline is finished—what I refer to as a story’s skeleton—I am ready to flesh it out in my synopsis. This is where the actual writing process begins. I describe the characters and storyline using complete sentences and paragraphs and plenty of detail. It is almost like writing a short story version of my novel. This can take anywhere from three to twenty pages, and can be used later when submitting to agents and publishers.
Summarize
The final step is to breakdown the entire novel into individual chapters or scenes. Each chapter is assigned a number and a title that reflects what occurs in that chapter. The titles are for quick reference while writing and revising the manuscript and are eventually deleted from my completed manuscripts. I include a brief (no more than a paragraph) description of the setting, events and conflict for each chapter.
LET THE WRITING BEGIN
Once these four steps are complete, I am ready to write my novel. I like to write at least 500 words per day, but I don’t always write scenes in order. By referring to the chapter summaries, I can choose any chapter I like and write that one. I save each chapter as a separate file using the chapter number and title as the file name. (ie. 01-Exile; 02-Found; ect.) Later, if I need to rearrange the chapter order, all I need to do is rename the files.
IN CONCLUSION

Getting to the end of a story is not as daunting a task as it may seem. All it takes is a little pre-planning. Know your destination. Take the time to plan your route. Then pull out that incomplete manuscript, blow off the dust, and GET IT DONE.
Great advice, Laurisa! Thanks for sharing your process. I'm a big fan of plotting.

Friends, are you pantsers? Plotters? Do you know your ending before you start writing? Have you ever tried roadmapping?

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Laurisa White Reyes is the author of three published novels: The Rock of Ivanore, The Last Enchanter (books 1 & 2 of The Celestine Chronicles) and Contact, a young adult thriller that just came out this week. She is also the Editor-in-Chief of Middle Shelf, a digital book review magazine for middle grade readers.

Tuesday, September 4, 2012

Social Media Blunders As Plot Points


Social media is a fact of life these days. It's fun to connect with old friends, and to make new ones. But along with all the benefits come plenty of dangers.

We can use real-life social media blunders in our fiction. I've listed a few ideas below. We've seen the consequences of some of these blunders play out on national news, and I've heard of these happening at local schools.

Feel free to use what you want!

  1. Snarky cat fight or relationship squabble in a public forum. Everyone sees it & knows their business.
  2. Character posts on Facebook or Twitter that they're home alone. Danger comes knocking.
  3. Character is unknowingly being videotaped in a compromising position. That video is posted online. It goes viral.
  4. Character sends a personal text to someone which is then forwarded to a wide audience.
  5. Character posts something inappropriate, like a comment or photo, which is then seen by their dream date, college, or job. Dream date, job, or college then dumps the character.
  6. Character sends a text, email, or direct message meant for one person, but it's received by another. Think of the one person who should not read this message.
  7. Character has an intimate text conversation with someone, only to realize the person on the other end was a group of friends playing a prank. Character is the laughingstock at school.
  8. A Facebook post, a tweet or an email falsely incriminates the character in a crime. 
  9. The character connects with a stranger online, then meets with him alone in person. Online person is a creeper. Or her father. Or her chemistry teacher. Or her boyfriend.
  10. Character posts a photo or video of someone committing crime/doing drugs. Thugs want revenge.
  11. Character sends naked picture of herself on Twitter or via text, and it goes viral.
Social media blunders have broken up marriages, brought down powerful leaders, and caused suicides. They've resulted in embarrassing ripples at school, and rocked entire communities. 

Unless you write historical fiction, versions these blunders can be used as inciting incidents, subplots, and major plot points. Our characters can be forced to learn what we've learned: have fun, but beware.

Have you ever used a social media blunder in your fiction? Do you recognize any of these from your own community, or from the national news? Are there any you'd like to add to the list? Please share!

Tuesday, November 8, 2011

A Love Affair...With Index Cards

Writers love office supplies, right? We geek out at rows of bright highlighters, colorful pens, and blank paper. One of my favorite supplies costs less than $1.

It's another old school tool that I use with each project--index cards. You know, the kind you buy for $.50 at Wal Mart. James Scott Bell talks about them in Plot & Structure. I've become an index card disciple, and here's why:
  1. They point to what's missing in my plot. Bell suggests that we write the following plot points on index cards: opening scene, doorway #1, doorway #2, climax scene. Spread them out on a table in this manner: opening, then a little bit of space, doorway #1, then lots of empty space, doorway #2, a little space, and then the climax scene. Doing this low tech visual trick showed me where I needed to insert scenes.
  2. They're flexible. Want to move doorway #1 closer to the opening? No problem. Want to switch scenes around in the middle so that you're ratcheting up the tension? No problem. Want to add a scene? No problem. Using index cards makes switching up scenes an easy task.
  3. They store valuable information. I not only add a one line description of the scene, but I'll also add the setting, conflict, emotion, and scene purpose. This reminds me what I need to accomplish with each scene.
  4. They help with pacing. When I'd completed my cards and spread them out, I noticed I had too many scenes before doorway #1. This is only one pacing problem I encountered, and I'm sure there's plenty more, but visualizing each card as a scene reminded me that I need to get to the guts of the story quicker.
  5. They travel well. I don't have to worry about WiFi or battery power with my index cards. I store them in a baggie and carry them with me while I'm in the plotting stage.
Those are my geekiest reasons for why I love index cards. If you use OneNote or Scrivener, you're probably laughing right now. I know, I know, it's so old school!

What's your favorite office supply? Have you ever used index cards? If not, what do you use to help you plot? And if you're a pantser, how in the world do you organize all that information in your head? Inquiring minds want to know!

Saturday, November 27, 2010

Plot Road Blocks


The other night I was cruising along with my NaNoWriMo project. Then I hit a plot road block.

I'd written through my prepared index cards. I knew where I was headed, I just didn't know how I wanted to get there. I was lost, and realized a few kinks needed to be worked out.

There's conflicting advice on how to handle this. Some say we should work straight through it. Write anything, and eventually we'll work our way out of it. Others say we should put on the brakes: take a walk, go for a run, or shut down everything and take a breather.

I followed the latter advice. I didn't want to write gibberish that would have to be slashed and burned later. I stepped away from the keyboard, curled back against a big pillow, and watched a chick flick. It was the perfect fix.

By the following morning I'd already prepared a fresh stack of index cards. With my new road map before me, I was cruising ahead in the right direction.

How do you handle writing speed bumps or road blocks? I'd love to hear your solutions.

photo credits: google images